Using Jungian and archetypal perspectives, this dissertation amplifies key symbols of the Self and the shadow within the three previously mentioned series in the interest of gleaning a richer understanding of the contemporary Western psyche-its tensions, its possibilities, and its needs for compensatory balance. More specifically, these series owe much of their power and appeal to their ability to draw from and weave together Christian, Gnostic, and medieval alchemical symbolism.
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Contemporary science fiction television series, such as Star Trek: The Next Generation, Star Trek: Voyager, and Babylon Five, fascinate viewers as expressions of popular culture precisely because they update in modern garb the Western attempt to grapple symbolically with the tension between consciousness and the unconscious.
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